New Songs
In the summer of 2012, I went on a holiday to the Gloustershire / Warwickshire area, staying at the beautiful Tredington Mill and visited Banbury among other places. I became interested in the Banbury Lady and the associated nursury rhyme. I combined local history, myth and legend and have produced a song, called "The Banbury Lady", which you can read and listen to below and which I hope you will like. You can also see where the inspiration / information for the song has come from below too.

The Banbury Lady
By Elaine Samuels –
  c  August 2012

 V1
All the right roads lead to Banbury, get your horses, meet us there
At the crossroads find your answers, ask the lady with long hair.
 Beneath necklaces of silver and hands bedecked with gold
She is just a pretty fair maid - offering justice, brave and bold.
 She is blessed by common people, rides a white horse thro’ the town.
She gives them hope to live for gath’ring praises and renown.


CHORUS
With rings on her fingers, and bells on her toes
She shall have music, wherever she goes

V2
As she passes flowers open, there is magic in the air
Hear the sound of distant music, see the sunlight shine her hair.
Pretty toes twinkle with small bells, tied to tell she passes by
But at the cross there stands a stranger, tall and thin with twinkling eye.
In his hands he plays a whistle, with his lips he pipes a tune
The sounds weave in swift enchantment and the music makes her swoon.


CHORUS

With rings on her fingers, and bells on her toes
She shall have music, wherever she goes

Jig

V3

Behind the man there is a motion, the tripping jumping fall of feet
For where he passes people follow, where he reaches strangers meet.
The long procession heads for Halford, now to meet the people there
For they are curs-ed with an evil they hope the piper can repair.
The Halford fields are full of large rats eating crops and spreading fear.
The people beg the piper rid them of the rats and they’ll pay dear.

Jig

V4
The rodents serve under their rat King, whose vast and lothsome, hairy frame
Was often spotted in the river, the conduit whence the rat hoard came.
So upon the 8th of August the piper struck a haunting tune
And up the winding Stour river headed north, beneath the moon.
The excited rat hoard followed, with the rat King in plain sight
Until they reached the river’s source at Wychbury Hill, upon midnight.


CHORUS
With rings on her fingers, and bells on her toes
She shall have music, wherever she goes

V5
Here the piper trilled a long tune -  truly marvellous and shrill
Which with a mighty earthquake cracked a hole into the hill.
The rats then poured through eager to be first into this nest
But then the hole collapsed ‘till just a ring of stones was left.
Returning then to Halford, to take his fee – as told
The frightened people cowered – for they had not any gold.


CHORUS
With rings on her fingers, and bells on her toes
She shall have music, wherever she goes

V6
The piper getting angry was about to curse the town
When the fair lady from Banbury began to calm him down
She said in place of gold the town could offer him their cheese
A year of Stinking Bishop would surely him appease.
Indeed he smiled and took her hand – for Banbury they did leave
And now every year in August, Halford folk give up their cheese.






Wychbury Hill

Wychbury Hill is one of the "Clent Hills", which is where the source of the River Stour can be found. It is situated of the A456 Birmingham Rd., at Hagley, Stourbridge, on the border of the West Midlands and Worcestershire. It is also the site of "Wychbury Ring" - an Iron Age Hill Fort - and the "Wychbury Obelisk" and is much beloved of pagans, with the site containing a 28-tree yew grove. The name "Wychbury" is not however connect to the word "witch" but derived from the Saxon subkingdom of the "Hwicce"

 

The Inspiration

The Banbury Lady - the fine lady on a white horse - was quite likely - in my opinion - to have been Lady Godiva, who was said to have ridden naked through the town of Coventry (not too far north of Banbury). Lady Godiva was said to have been unhappy about how the poor people in her area were being taxed and to have asked her Lord to reduce or stop the levies. He was said to have agreed provided she did a penance, which in those days sometimes meant walking through the town in a shift / petticoat / nightgown - hence the legend of her parading naked through the town. The Lord was said to have instructed the townspeople not to look at his Lady while she was doing the penance and it struck me that by tying bells to her feet, this would help people know when she was nearby and when they should avert their gaze. I therefore believe that this "Lady of Banbury" is a bit of a heroine to the people and so I have made her a bit of a heroine in the song.


The Story of the Halford Rats
 
The old and new bridges over the River Stour at Halford

At eight minutes past eight on August 8th, Halford villagers process down to the old bridge to throw cheese down to a legendary rat!
       The legend of the Rat of Halford dates back to 888AD. The Saxon village of Halford, which lies on the Fosse Way, is said to have suffered terribly from rats attcking its crops around harvest time. In order to try and stop the destruction, it's said villagers decided to offer the rats alternative foods to quell their hunger, eventually settling on cheese. Whether this worked or not is unclear but in recent yars, the villagers have resurrected the tradition, held annually at the same time and date, in honour of the year the legend first began. Each year more and more people come along to the cheese throwing ceremony (some from as far away as the US) to process across the bridge by torchlight and throw their cheesy offerings to the rat. Those who throw their dairy products to the rat don't just satisfy his mythical hunger; the throwers are also said to be blessed with eternal life ... well - eternal until the next year's ceremony!

In 2012, I took part in the Halford rat ceremony, which had a distinctly Olympic flavour, and it was videoed by my husband, Clive. You can re-live it from the You Tube video. I can recommend watching it - as it is both quirky and funny, with the (slightly tipsy seeming) organisers re-living their version of Saxon story with a short play, whilst balanced precariously on small tables!


The Song (first time played in a rather noisy garden)!

 

Your Comments
 

Name Date Useful Link Comment
Paul Elliot 11/9/12

http://www.facebook.com/paul.elliott.908

Nice one Elaine loved it, great song writing
Sally and Jonathan Ward 13/9/12 https://www.facebook.com/TredingtonMill Thank you for sending this. It was most interesting. I have never heard of the Halford ceremony but I did recognise some of the people in your husband's video. I have put a link to your page on our Facebook page
Banbury Folk 14/9/12

http://www.facebook.com/banbury.folk

Hi Elaine ... one of the popular theories is that she was the Lady Fiennes whose ancestral seat is nearby Broughton Castle. Glad she inspired you. The statue was bought by the local community including our folk club ... we reckon we bought a toenail!
     

 

Always In My Heart
By Elaine Samuels – c –
August 12th 2012

V1.
[A
mod]
I’m standing on a shoreline – looking out to sea
This is where you [G
mod] stepped aboard and [Dmod] sailed away from [Amod] me.
[D
mod]
I feel lost back here with[Amod]out you – I [Em] don’t know what to do.
I [A
m] could not [Am+b] share your [C] journey [Dm]  
I [C] cannot [A
m+b] be with [Am] you. [Am+g]
The [F] life we shared – the [A
m] joys – the woes – will [F] never come a[E] gain.
For [A
m] you are taken from me - you explore a watery [Am slaps] main.
I’m walking now a[D
m]long the sand and [Am] wondering where you are.
[A
m]
You were so very [Dm] close to me – but [Am] now so very far.
I [F] still love you my dear one even [A
m] though we are a[F]part
And [A
m] should we [Am+b] never [C] meet a[Dm]gain -
you’re [C] always [A
m+b] in my [Am] heart. [Am+g]

Chorus

[F]
And if you [G] love someone – you have to [Am] let them know [Am] [Am+g]

[F]
Because one [G] day you’ll  have to [Am] let them  go. [Am] [Am+g]

[F]
And though your [G] loved ones leave and [C] you feel [Am+b] torn a[Am]part [Am+g]
[F]
They’ll live for[G]ever in your [Amod] heart.

V2.
[A
mod] I’m standing at a crossroads – beside a fallen tree
This is where you [G
mod] had to take a [Dmod] different road to [Amod] me.
[D
mod]
I didn’t have a [Amod] ticket to [Em] let me pass your way.
I [A
m] had to [Am+b] wait be[C]hind and [Dm] hope
we’d [C] meet a[A
+b]gain some [Am] day. [Am+g]
You’re [F] climbing up a [A
m] stairway now – to [F] lift you up a[E]bove.
You’re [A
m] leaving me behind you but you’ll always have my love. - [Am slaps]
[A
m] I wander now a[Dm]long my road, de[Am]serted and bereft.
[A
m] I wish I could have [Dm] stayed with you but [Am] I had to be left.
I [F] still love you my dear one even [A
m] though we are a[F]part
 And [A
m] should we [Am+b] never [C] meet a[Dm]gain -  
you’re [C] always [A
m+b] in my [Am] heart. [Am+g]

Chorus

V3.
[A
mod] I’m standing on a precipice – looking far below
This where you [G
mod] jumped and flew and [Dmod] I just couldn’t [Amod] go.
[D
mod]
I’m stricken on this [Amod] edge here, [Em] blinded by the light.
I [A
m] cannot [Am+b] compre[C]hend how [Dm] you’ve been
[C] taken [A
m+b] from my [Am] sight. [Am+g]
You’re [F] swooping, flying [A
m] down and down [F] into the great a[E]byss,
A [A
m] journey which you had to make alone and could not miss. [Am slaps]
[A
m]
I stumble backwards [Dm] from the edge, each [Am] step a stab of pain.
[A
m]
Already I am [Dm] desparate to be with you [Am] again.
I [F] still love you my dear one even [A
m] though we are a[F]part
And [A
m] should we [Am+b] never [C] meet a[Dm]gain -  
you’re [C] always [A
m+b] in my [Am] heart. [Am+g]

Chorus

 

The Inspiration
I began visualising the imagery of this song when my teenage son stopped living at our home a few years back. He was growing up and away from me and I could see him - in my mind - as if heading off in a boat, out to sea to begin his adventures in another place (the imagery in verse 1 definitely springs from how I felt at the time) . Obviously, I realise my son has not gone completely and he is still very much a part of my life (though more at a distance) but he will never be that little boy I was bringing up and had a relationship with from day to day at our home. At the time he left, much of my day-to-day life was centred around him and helping him to grow - so I felt like a huge part of my reason for living had disappeared! Other mothers will definitely know what I'm talking about! Then in May 2012, I lost my Mum, Doris, and I wanted to write something to describe how I felt about both of them departing from my immediate world.

I finished writing the words of this song in the grounds of Warwick Castle during our summer holiday 2012 (while taking my turn at sitting with the dog - as he wasn't allowed in). You can just see our dog resting on the grass behind me in this video of me singing the song in our back garden (which was tricky for my husband, Clive; needing a bit of editing because of the aeroplanes flying in and out of Heathrow)!


 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

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